a5c7b9f00b T'Challa, heir to the hidden but advanced kingdom of Wakanda, must step forward to lead his people into a new future and must confront a challenger from his country's past. In the aftermath of <a href=">Captain America: Civil War (2016) and in the wake of King T'Chaka's death, young Prince T'Challa returns to his secluded homeland in Wakanda to prepare for his coronation day. However, the new King will soon have to face the technologically-advanced country's arch-enemy, the arms-dealer Ulysses Klaue, who is well-aware of Wakanda's secrets and is determined to make a profit with the aid of the megalomaniac, Erik Killmonger. Can the noble Black Panther protect not only the throne but also the land's very future? The action was awesome, great job marvel. Marvel keep up the amazing great work. Again I am team marvel. For far too long, Marvel Studios' PR department has been waging a sustained assault on us patrons' psyche with over-the-top promotional material, ranging from comic conventions, merchandising, endless trailers/previews and cultural references. Whoever is heading that unit needs to take a vacation, along with the staff. Immediately. This is a serious request.<br/><br/>Because what we have been led to believe is Black Panther is the best superhero film ever made on the legendary African warrior.<br/><br/>This film is nothing of the kind. Instead, it is a compelling and competent drama of greed, loyalty, vengeance, and social standing. Other reviewers have pointed out that this film is quite overrated and not worthy of the hype. To be very honest, that was my feeling as soon as the credits rolled. It was a few minutes later that my appreciation of the film's tone and import started to change. This film is not about a fictional kingdom or a mysterious metal or other tangible things. It is more a study of who we are as a human race and where we stand today.<br/><br/>I will try not to spoil the film for others. There are numerous scenes where characters wrestle with their inner conscience, confront a dilemma or two, and balance critical decisions with consequences. These scenes are not hoisted out of reality, we experience moments like these ourselves. Circumstances can make past decisions look outdated and wrong, even. At the same time, embracing change a little too quickly has pitfalls as well. There is a line said by a male character, which goes thus: "It is tough for a good man to be a leader". And it is true. Not everyone is born a leader. People learn and evolve over time, dealing with situations that sometimes are beyond their control. And by presenting those situations, the filmmakers have chosen a path that can be a little underwhelming to viewers at first, but relatable to us in some ways. I would even go as far as to say the overall theme of this film is more about what we are willing to do to protect who or what defines us without losing sight of what unites us all. It does sound serious, but the film manages to tackle these topics. Not expertly, but in a reasonably convincing fashion.<br/><br/>The cast is near-perfect. While Chadwick Boseman could have done better by adding a little spark to his T'Challa, he has an extraordinary screen presence in the guise of the titular hero. A simultaneous ninja-statesman, his brand of aggression, without any outward weapons, is ferocious and decisive. Danai Gurira and Lupita Nyong'o are excellent as General Okoye and War Dog Nakia respectively. Their fight sequences are superbly choreographed, along with those of the others. Michael B Jordan's acting chops are legit, he exudes menace and power as Killmonger. Daniel Kaluuya is a strong addition to an already-impressive line-up. But I was most impressed by Letitia Wright as Princess Shuri, the feisty younger sibling of the King. A firebrand techno-genius who can handle a skirmish quite capably, some of her inventions make Iron Man's creations pale in comparison. I expect to see more of her in future installments, if the post-credits scene is anything to go by. Seasoned veterans like Forest Whitaker, Angela Bassett, John Kani, and Sterling K Brown support the main cast with their renowned expertise. And not for the first time, Martin Freeman and Andy Serkis' scenes together are a delight to watch. While Freeman does provide some comic relief, it is also refreshing to see him get actively involved and bring his own skills to the table. <br/><br/>As for the crew, one important point first: bear in mind, the director is a relative newcomer in the competitive world of big-budget superhero franchises. I have not seen Fruitvale Station or Creed yet, but Ryan Coogler had a lot on his plate when entrusted with the enviable task of directing this highly-anticipated venture. He delivers a really watchable film, even if some adrenaline junkies might complain that the action sequences are few and far between. By choosing to focus on drama and intrigue instead of fast-paced, mind-numbing action (my number one reason for hating Avengers: Age of Ultron), Coogler makes a calculated move to pose questions about ourselves. His crew back him up admirably, whether it is Rachel Morrison with the camera (some of the wide-angle shots were gorgeous), special effects, or music. The production design is top-notch, the sweeping, high-tech interiors of Wakanda contrasting rather charmingly with the rustic, almost-idyllic outdoors. At just a touch over 2 hours long, the pace is neither too rushed nor sluggish.<br/><br/>My sincere advice to those who have not seen this film yet: if possible, erase the sky-high expectations caused by Marvel's hype-machine and watch for what it really is. You will probably enjoy it more.<br/><br/>8/10 When Black Panther works, it’s thrillingly alive, whether it’s the dazzling colors of the vivid costumes by Ruth E. Carter (“Selma”)…or the eclectic and vibrant music choices.
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